Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of FRANCIA, Francesco 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
6707 Adoration of the Child (detail) dgj FRANCIA, Francesco Adoration of the Child (detail) dgj Panel Pinacoteca Nazionale, Bologna
6706 Adoration of the Child sdgh FRANCIA, Francesco Adoration of the Child sdgh Panel Pinacoteca Nazionale, Bologna
6704 Crucifixion with Sts John and Jerome de FRANCIA, Francesco Crucifixion with Sts John and Jerome de c. 1485 Oil on wood, 52 x 33,5 cm Collezioni Comunali d'Arte, Bologna
6708 Crucifixion with Sts John and Jerome dfh FRANCIA, Francesco Crucifixion with Sts John and Jerome dfh c. 1485 Panel, 52 x 33,5 cm Collezioni Comunali d'Arte, Bologna
6705 Crucifixion xdfgs FRANCIA, Francesco Crucifixion xdfgs 1500s Panel S. Giacomo Maggiore, Bologna
6712 Evangelista Scappi dh FRANCIA, Francesco Evangelista Scappi dh 1500-05 Tempera on wood, 55 x 44 cm Galleria degli Uffizi, Florence
6711 Madonna and Child with the Infant St John the Baptist dsh FRANCIA, Francesco Madonna and Child with the Infant St John the Baptist dsh c. 1500 Panel, 57 x 43,7 cm Museum of Fine Arts, Budapest
6710 Madonna and Saints (detail) gj FRANCIA, Francesco Madonna and Saints (detail) gj Panel S. Giacomo Maggiore, Bologna
6709 Madonna and Saints whh FRANCIA, Francesco Madonna and Saints whh Panel S. Giacomo Maggiore, Bologna
29810 Portrait of Evangelista Scappi FRANCIA, Francesco Portrait of Evangelista Scappi mk67 Tempera on panel 21 5/8x17 5/16in Uffizi,Gallery
29812 St.Francis FRANCIA, Francesco St.Francis mk67 Tempera on panel 25 9/16x17 5/16in Pitti,
6703 The Burial of St Cecily dfs FRANCIA, Francesco The Burial of St Cecily dfs 1504-06 Fresco S. Giacomo Maggiore, Bologna
6702 The Marriage of St Cecily sds FRANCIA, Francesco The Marriage of St Cecily sds 1504-06 Fresco S. Giacomo Maggiore, Bologna

FRANCIA, Francesco
Italian High Renaissance Painter, 1450-1517 He turned to painting c. 1485, and his first works already testify to the considerable technical accomplishment and gentle religious sensibility that remained constants of his art. His major surviving paintings are altarpieces, mostly images of the Virgin and saints, initially done for Bologna and later for nearby centres, notably Parma, Modena, Ferrara and Lucca. He also painted many small-scale devotional works and a few portraits. The apochryphal anecdote reported by Vasari that Francia died on seeing Raphael's altarpiece of St Cecilia
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